Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 12:

Women do not nowadays shun the smell of smoke as they did in early Victorian days, as if it were the most dreadful of odours. They are tolerant of smoking in their presence, in public places, in restaurants—in fact, wherever men and women congregate—to a degree that would have horrified extremely their mothers and grandmothers. It is only within the last few years that visits to music-halls and theatres of varieties have been socially possible to ladies. Men go largely because they can smoke during the performance; women go largely because they have ceased to consider tobacco-smoke as a thing to be rigidly avoided, and therefore have no hesitation in accompanying their menfolk.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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